Unscientific thoughts on the strange demise of the iconic movie theme.
I’ve spent the last few days at a science conference for my day job, so I should know better than to cherry pick data to make a point. But all the same, here’s a shaky hypothesis to throw some objections at.
Film soundtrack composition has arguably never been stronger, more varied or imaginative. Alexander Desplat, Dario Marianelli, John Powell, Hans Zimmer, Max Richter, David Arnold – just a few favourites at the top of their game. And although minimalist and moody sometimes tops melody – think The Hours or Inception –there’s still life in the hummable tune, from The Artist to the X-Men. (Sorry, couldn’t think of a recent film starting with Z.) But, and this is my proposition, after a golden age lasting from the 1950s to the late 1980s, the last couple of decades have seen the demise, or at least the significant diminishing, of the iconic theme tune. Continue reading