Originally published in Litro Magazine www.litro.co.uk/2013/01/a-number-of-false-doors/
“A narrative is like a room on whose walls a number of false doors have been painted; while within the narrative, we have many apparent choices of exit, but when the author leads us to one particular door, we know it is the right one because it opens.” – John Updike
So, the notes are back from my editor and I’m embarking on the final (this time I mean it) rewrite of my novel. It’s had its fair share of revisions in its life: characters have come and gone and the ending has changed more than once. Usually each change feels more right than it did before, but sometimes I dig up an old draft and feel I’ve lost something along the way. With all the changes that a book goes through, how can a writer be sure that they are opening the right doors?